![]() ![]() While there’s really only one lyrical song in episode 2, and it’s hard to notice unless you’re looking for it, the inclusion of Ari Lasso’s “Hampa” still shows how much thought goes behind the music of the series. ![]() “I Can’t Believe You’re Back” – Jad Mhanna, Roy Abdallah, Carole Aoun.If they weren’t around to update the system after a certain amount of time, an ‘80s playlist would automatically broadcast. We learn in episode 3 however, that the song played not because Bill and Frank were in true danger, but because their deaths triggered a system failsafe. At the time, we think it means that Bill and Frank are in danger as per the code they’ve established where ‘60s music means that they have nothing new to trade, ‘70s music means that they have new stock in, and ‘80s music equals trouble. The radio that is used to connect with Joel and Tess’ friends Bill (Nick Offerman) and Frank (Murray Bartlett) kicks on playing this song long after they’re gone. The first few trailers for the show feature songs and music from the games in the background, and the series itself has gone even further by incorporating different songs into the fabric of each episode.Įpisode 1 – When You’re Lost in the Darkness “Never Let Me Down Again” – Depeche Modeĭepeche Mode’s “Never Let Me Down Again” plays at the very end of the first episode after Ellie (Bella Ramsey), Joel (Pedro Pascal), and Tess (Anna Torv) have left the Quarantine Zone to meet up with the Fireflies set to take Ellie west. Ellie also sings A-ha’s “Take on Me” to her friend and love interest Dina when the two are in Seattle together – a touching moment amidst all the violence in the game.įrom the beginning, HBO’s The Last of Us showed us that it was going to continue using music as an important thread in its story. At the beginning of the game, Joel sings Pearl Jam’s “Future Days” to Ellie, and it becomes a song that she uses to remember him later on. The Last of Us Part IIshows us how Joel and Ellie use music as a way to connect with and understand each other and even allows the player to strum along via the controller when both characters play guitar. The maximum score it could ever deserve is a 7/10, but I'm not that generous.This article contains spoilers through the most recent episode of The Last of Us.įans of The Last of Usknow that music is a key part of the video games’ story. All in all, the game is just a bad experience. The game is way too violent, but I'm sure many sociopaths and psychopaths alike are happy about that. Notably, corpses will just disappear if you don't look at them for a split second. The game is visually nice, but it still has many bugs. AI has not been improved either, zombies still act really stupid. The gameplay has not been improved except for the trivial jump button, which might as well be removed because it is useless. The story is a laughably bad excuse for a sequel. Nothing about this game is better than the first one. The fact that it's double the length of the last game makes it an experience comparable to torture. The gameplay was solid and the story was riveting, especially for a PS3 game. This, I want to start off by saying that I liked the first game. I want to start off by saying that I liked the first game. No wonder why HBO’s The Last of Us is happening with Neil Druckmann and Chernobyl’s Craig Mazin on-board for the live adaptation. Naughty Dog, this is easily your guys’ best work since Uncharted 2 and there is a reason why you guys are the top underdogs in the gaming business on delivering the very best experience as possible and I hope you guys get royally compensated for creating this incredible follow-up masterpiece. Everything ranging from the newly fleshed acessibility gameplay mechanics all the way to the superb writing by Neil Druckmann and Westworld’s Halley Gross is pure excellence. The first game is all about love, and the sequel is all about hate and you can see why how rare TLOU2 is compared to the first game and it’s unbelievable. Do I need to say more? Play the damn game and fully experience a masterfully crafted sequel that will keep you on the edge of your seat and witness the sheer brutality that needs to be played. Do I need to say more? Play All it takes is a little push for Ellie to go mad and her quest for revenge story is a brutalistic masterpiece. All it takes is a little push for Ellie to go mad and her quest for revenge story is a brutalistic masterpiece.
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